The Lindell 354E is a multiband model of the most famous vintage diode bridge compressor, the Neve 2254E, precisely replicating its distinctive behavior and rich sonic character in each of its three bands. But in practical use, the 354E really is two compressors in one: Turn on its Nuke mode to radically shape individual tracks, and turn it off for lighter, more nuanced compression when mastering or for surgical mixing. Both modes yield the same lush coloration and smooth presence that made the 2254E one of the most revered and highly sought after compressors in the world.
Straightforward and simple, Vintage Amp Room emulates three great and classic guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It's easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking. The three guitar amplifiers we simulated in Vintage Amp Room are timeless classics that have deserved their place in the history of guitar based music.
Metal Amp Room was designed to bring you the most brutal, evil and aggressive guitar sound that is possible to squeeze out of your DAW. It may even contain backward messages. Run it in mono for a tight and focused sound, or let it take up your entire stereo width by the use of two panned microphones. We should probably add it to our end user agreement that by installing Metal Amp Room to your DAW, you agree to having it posessed by a dark and evil force.
Finally! We made another plugin! It’s called Endless Smile. This plugin creates all the tension you need in your music. With our first plugin “Sausage Fattener” we created a simple way of getting our fat signature sound. But it’s not all about the drop – you need buildups too. With “Endless Smile” it’s easier than ever to create music that lifts you to space with a smile that just gets bigger and bigger and bigger.
Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean. It consists of a model of a bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI section with tone controls and a limiter. Bass Amp Room has got everything you need to create a unique signature sound in no time. It's well thought out, and the high quality building blocks will help you produce a huge range of sounds.
A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages. Create anything from realistic room echoes to rockabilly style slap backs—or take it all the way into dub reggae echo madness. A slightly dark and distorted delay has a way of giving a great sense of space and size to a mix without really drawing attention to itself. So that's where our Tube Delay gets in the picture.
Tverb is a reverb unlike any other. Start with a perfect room and configure it to taste by adjusting the standard reverb controls of decay, diffusion and EQ to create the ambience that brings your tracks to life. Now, place a couple of additional microphones anywhere in that room. Move them around until the track sits perfectly in your mix. Set the mikes’ gates to open with the dynamics of the track. Tverb, gives you control all of these parameters and more. And because Tverb is algorithmic, you can do it all in real time (which wouldn’t be possible with a convolution reverb). You can even have your mics dance around the room in real-time. Impossible in real life; a snap in Tverb.
TSAR-1R Reverb is the little sibling of the more adjustable TSAR-1 Reverb. They share exactly the same high end reverb algorithm, but TSAR-1R offers extreme ease of use for a fast and intuitive workflow. Essentially, TSAR-1R is operated with a single control—the Time slider. Add depth and dimension to any sound with short and controlled room sounds, or slide it up towards hall settings for large, dramatic spaces. It really is as easy as that, and it always sounds stellar. The True Stereo Algorithm inside the TSAR-1R Reverb and the more adjustable TSAR-1 Reverb is what gives them their magic.
The TSAR-1 Reverb is not an emulation. It's not a stock design. It's not a static snapshot of a space. The TSAR-1 is a powerful, modern reverb algorithm. It's alive and vibrant, it's gentle and dreamy, and above all - it's natural and believable. The TSAR-1 is the better-sounding alternative to the established, traditional reverb products. At a fraction of the price. The True Stereo Algorithm inside the TSAR-1 is what gives it its magic. The strength lies in its sophisticated sound and versatility, no matter whether it's used on strings and brass or rock drums and lead vocals, it always shines.
Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head? Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike.